Andrew Loog Oldham, the StonesвЂ™ manager who spotted her at a party and launched her career as a vocalist, dismissively described her as вЂњan angel with big titsвЂќ. It wasnвЂ™t supposed to have any weight to it all. FaithfullвЂ™s musical career was not expected to last more than 50 years, nor was it supposed to have the kind of weight that might still interest people decades on. There was a time when the notion of either of these albums existing would have seemed like a joke. Given how often FaithfullвЂ™s personal life has overshadowed her music, it is worth noting the artistic distance she has travelled in her career вЂ“ further than a lot of her more regularly lauded peers. Thematically and sonically, it could be the work of a completely different artist to Come and Stay With Me. It also contains a version of As Tears Go By, but there the similarities end. The second is Negative Capability, a meditation on loss, grief and loneliness recorded in Paris last winter with the Bad SeedsвЂ™ Warren Ellis and PJ Harvey collaborator Rob Ellis. The first is Come and Stay With Me, a collection of her 1960s singles that opens and closes with two Rolling Stones-related tracks: the Mick Jagger and Keith Richards composition As Tears Go By, and Sister Morphine, co-written by Faithfull and Jagger while their relationship was in its death throes. I f youвЂ™re looking for a study in contrasts, you could do worse than compare the two albums released this autumn with Marianne FaithfullвЂ™s name on the cover.

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